10458 - 20170219 - CaixaForum Barcelona presents "Ming. The Golden Empire" - Barcelona - 01.01.2017-19.02.2017


Enamelled and gilded copper ding-shaped censer. Jingtai reign, 1449–57. © Nanjing Museum.
CaixaForum Barcelona is presenting Ming. The Golden Empire, an exhibition devoted to art and culture from one of the most iconic periods in Chinese history, renowned for its artistic, social and economic advances. 
The purpose behind the exhibitions that ”la Caixa” Foundation has dedicated over the years to the great cultures of the past is to enable audiences to discover ways in which men and women from different places and times have attempted to resolve the great universal questions, and to broaden our understanding of the world through studies of the most recent historical and archaeological research.

In this line of activity, the organisation has presented several shows devoted to the Chinese Empire and its culture, such as China, Heaven and Earth in 2001 and Confucius in 2004, the latter examining the influence of the great philosopher on universal culture. Now, at a time when China is opening up to the world, ”la Caixa” Foundation and the Nanjing Museum have formed a partnership to present a new exhibition, devoted to the customs and traditions of this ancient society through the history of one of its best-known dynasties.

Visitors to this latest show are invited to discover the great artistic, social and economic advances which led the period of rule under the Ming dynasty to become known as “The Golden Empire” in Chinese history. The show is structured around four sections, four journeys around the art, culture and society of that glorious period.

Ming. The Golden Empire features a total of 126 artefacts from the impressive collections of the Nanjing Museum, including superb Ming ceramics, paintings and works by some of the most outstanding artists of the time, as well as exquisite jewels, fabrics and enamel, gilt and porcelain works never before seen in Spain.

The Nanjing Museum, China’s first great national museum, conserves more than 400,000 pieces, spanning the period from the Palaeolithic to the present. These holdings include one of the finest collections of works from one of the most important dynasties in China, which has exercised the greatest influence in arousing admiration for the country’s culture around the world.

A dynasty that changed the country forever
The Ming dynasty ruled over China for 276 years. From 1368 to 1644, sixteen emperors from the Zhu family governed a population that rose from 65 million to 175 million people.

Over that period, China accumulated enormous wealth and became known in Europe as a source of luxury goods and a place full of extraordinary mysteries. The combination of opulence and foreign influence generated tensions within Ming society that changed the country forever.

The Chinese name for the dynasty, Da Ming, means “great brilliance”. Moreover, each emperor’s reign was given a special name, chosen to describe his personality. The reign of the first emperor, Zhu Yuanzhang (1368-1398), was known as Hongwu, that is to say, “Vastly Martial”, alluding to the military origins of the Ming dynasty, which had defeated the Yuan dynasty, installed in power by the Mongols in 1279.

The need to defend China against the return of foreign domination, particularly by its northern neighbours, the Mongols, determined the way in which the Ming dynasty went about ruling the country. The ruling dynasty considered that it was essential to ensure strong central government, good communications and large armies. There was also a concern for reviving the traditional Chinese values of the family, education and culture, on which the social hierarchy and stability were based.

However, other factors also entered into play. The growth of trade, encouraged by the arrival of foreign silver from Japan and South America, presented a challenge to the established order. The population increased, the cities grew, and a new “consumer culture” began to spread among the burgeoning merchant class. The old certainties were beginning to collapse.